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The Lobster is a 2015 absurdist dystopian black comedy film directed, co-written, and co-produced by Yorgos Lanthimos, co-produced by Ceci Dempsy, Ed Guiney, and Lee Magiday, and co-written by Efthimis Filippou.

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The Lobster is a 2015 absurdistdystopianblack comedy film directed, co-written, and co-produced by Yorgos Lanthimos, co-produced by Ceci Dempsy, Ed Guiney, and Lee Magiday, and co-written by Efthimis Filippou.^[5][6][7] In the film's setting, single people are given 45 days to find a romantic partner or otherwise be turned into animals.^[8] It stars Colin Farrell as a newly single man trying to find someone so he can remain human, and Rachel Weisz as a woman with whom he attempts to form a relationship. The film is a co-production by Ireland, the United Kingdom, Greece, France and the Netherlands.

It was selected to compete for the Palme d'Or at the 2015 Cannes Film Festival and won the Jury Prize. It was shown in the Special Presentations section of the 2015 Toronto International Film Festival.^[9] The film was nominated for Best Original Screenplay at the 89th Academy Awards and for Outstanding British Film at the 69th British Academy Film Awards.

• 5Reception

Plot[edit]

David is escorted to a hotel after his wife has left him for another man. The hotel manager reveals that single people have 45 days to find a partner, or they will be transformed into an animal; the dog accompanying David is his brother. David chooses to become a lobster, because of their life cycle and his love of the sea. David makes acquaintances with Robert, a man with a lisp, and John, a man with a limp, who become his quasi-friends. John explains that he was injured in an attempt to reconnect with his mother, who had been transformed into a wolf.

The hotel has many rules and rituals: masturbation is banned, but sexual stimulation by the hotel maid is mandatory, and guests attend dances and watch propaganda extolling the advantages of partnership.

Robert is caught masturbating, and the hotel manager burns his fingers in a toaster. Relationships require partners to have a distinguishing trait in common. John is told a woman has arrived with a limp, but he says that she limps from an injury that will heal and is not a suitable match.

Residents can extend their deadline by hunting and tranquilizing the single people who live in the forest; each captured 'loner' earns them a day. On one hunt, a woman with a fondness for biscuits offers David sexual favours, which he declines. She tells him that if she fails to find a mate, she will kill herself by jumping from a hotel window.

John then wins the affections of a woman with constant nosebleeds by purposely smashing his nose in secret. They move to the couples section to begin a month-long trial partnership. David later decides to court a notoriously cruel woman who has tranquilized more loners than anyone else. Their initial conversation is interrupted by the screams of the biscuit-loving woman, who has injured herself by jumping from a first floor window. Although troubled by the incident, David pretends to enjoy the woman's suffering to gain the heartless woman's interest. He later joins her in a jacuzzi where she feigns choking to test him. Noticing that he makes no attempt to help her, she decides that they are a match, and the two are shifted to the couples' suite. David wakes up one morning and finds that she has kicked his brother to death. As David cries in response to losing his canine sibling, she concludes that their relationship is a lie and attempts to drag him to the hotel manager to have him punished. However, he escapes and, with the help of a sympathetic maid, tranquilizes and transforms his partner into an unspecified animal.

Escaping the hotel, David joins the loners in the woods. Contrary to the hotel's rules, they forbid any romance with mutilation as punishment. The hotel maid is a mole for the loners. The leader of the loners takes loners to visit the city to get some supplies.

The loners launch a mini-raid to sabotage the hotel's work. David reveals to the nosebleed woman that John has been faking. John forces David to leave. Other loners hold the hotel manager and her husband at gunpoint, tricking him into shooting his wife to save himself, but the gun is not loaded, leaving the couple to face each other.

Soon David, who is shortsighted, begins a secret relationship with another shortsighted loner. They develop a gestural code for communication. They plan to escape together, but the mole, who is now with the camp, finds the shortsighted woman's journal and discovers her plan. She reveals the plan to the leader, who takes the woman to the city, ostensibly to have an operation to cure her shortsightedness, but blinds her instead. In anger, the woman kills the hotel maid, thinking she is killing the leader.

She tells David about her blindness. They try to find something else that they have in common, to no avail. He says that they'll figure it out and tells her to continue with their plan. Early the next morning, David overpowers the leader, leaving her tied up in his grave to be eaten by wild dogs. He and the blind woman escape to the city, stopping at a restaurant. Seeking to reestablish sameness, David goes to the restroom and prepares to blind himself with a steak knife while his partner awaits his return, but he hesitates twice and his decision is left unshown.

Cast[edit]

• Colin Farrell as David
• Rachel Weisz as Shortsighted Woman
• Léa Seydoux as Loner Leader
• Ariane Labed as the Maid
• Ben Whishaw as Limping Man (John)
• Angeliki Papoulia as Heartless Woman
• John C. Reilly as Lisping Man (Robert)
• Jessica Barden as Nosebleed Woman
• Olivia Colman as Hotel Manager
• Ashley Jensen as Biscuit Woman
• Michael Smiley as Loner Swimmer
• Roger Ashton-Griffiths as Doctor^[10]
• Ewen MacIntosh as Hotel Guard

Production[edit]

Principal photography began on 24 March 2014, and concluded on 9 May 2014.^[11] Filming took place in Dublin, Ireland, which represents 'The City' in the film, and also at locations in and around County Kerry, including Sneem, Dromore Woods and Kenmare.^{[12][13][14][15]}Sven game free download.

Marketing and distribution[edit]

In May 2014, it was announced that Sony Pictures Releasing acquired the distribution rights for Australia, New Zealand, Germany, Scandinavia, Russia, Eastern Europe, and Latin America.^[16] A film still featuring Farrell, Whishaw, and Reilly was released around the same time.^[17] In May 2015, Alchemy acquired United States distribution rights; however, due to the company's financial struggles at the time, A24 acquired the US rights instead.^[18][19] Originally scheduled for an 11 March 2016 release, it was rescheduled to 13 May 2016.^[20][21]

Reception[edit]

Critical response[edit]

On Rotten Tomatoes, the film has an approval rating of 87% based on reviews from 234 critics, with an average rating of 7.6/10. The website's critical consensus reads, 'As strange as it is thrillingly ambitious, The Lobster is definitely an acquired taste — but for viewers with the fortitude to crack through Yorgos Lanthimos' offbeat sensibilities, it should prove a savory cinematic treat.'^[22] At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 82, based on 44 reviews, indicating 'universal acclaim'.^[23]

Oliver Lyttelton of The Playlist awarded the film an 'A' grade and described it as 'an atypically rich and substantial comedy' with 'an uproarious yet deadpan satire concerning societal constructs, dating mores and power structures that also manages to be a surprisingly moving, gloriously weird love story.' He concluded that the film was Lanthimos' 'most accessible and purely enjoyable film yet'.^[24] Chris Nashawaty of Entertainment Weekly gave a positive review and commended the film for being 'visually stunning, narratively bold, and totally singular', adding that 'it opens [one's] eyes to a new way of storytelling.'^[25]

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Guy Lodge, writing for Variety, called the film 'a wickedly funny, unexpectedly moving satire of couple-fixated society', elaborating that Lanthimos' 'confounding setup emerges as a brilliant allegory for the increasingly superficial systems of contemporary courtship, including the like-for-like algorithms of online dating sites and the hot-or-not snap judgments of Tinder.'^[26]

Peter Bradshaw of The Guardian rated the film three stars out of five, and wrote that The Lobster is 'elegant and eccentric in Lanthimos’ familiar style', but 'appears to run out of ideas at its mid-way point'.^[27]IGN awarded it a score of 8.5 out of 10, saying 'Colin Farrell heads up this surreal, hilarious and ultimately quite disturbing tale.'^[28]

Wai Chee Dimock, writing in the Los Angeles Review of Books, called The Lobster a 'fable of purgatory' and saw the ending not as 'a romanticism finally let out of the bag, but a romanticism handicapped and disabled.' She compared the film to the work of Samuel Beckett, saying that, for this all-Greek team, 'absurdist theater is second nature, as it was second nature to the Irish Beckett a century ago.'^[29]

Accolades[edit]

Film Gratis In Italiano Online

References[edit]

1. ^'Lobster, The (15)'. Launching Films. Film Distributors' Association. Retrieved 8 May 2015.
2. ^'THE LOBSTER (15)'. British Board of Film Classification. 17 March 2015. Retrieved 17 March 2015.
3. ^Pritchard, Tiffany (21 December 2014). 'Les Arcs celebrates diverse crop of Ireland films'. Screen Daily. Screen International. Retrieved 15 May 2015.
4. ^'The Lobster (2016)'. The Numbers. Nash Information Services. Retrieved 24 August 2016.
5. ^Vishnevetsky, Ignatiy (17 May 2015). 'Yorgos Lanthimos' absurdist dystopia is the best of Cannes so far'. The A.V. Club. The Onion. Retrieved 16 December 2016.
6. ^Hutchison, Sean (29 September 2015). 'Making Sense of the Dystopian Absurdity of 'The Lobster''. Inverse. Retrieved 16 December 2016.
7. ^Bonos, Lisa (19 May 2016). 'An interview with the director of 'The Lobster,' a dark comedy about the search for love'. The Washington Post. The Washington Post Company. ISSN0190-8286. Retrieved 27 December 2016.
8. ^'The Lobster'(PDF). Cannes Film Festival. Archived from the original(PDF) on 23 December 2015. Retrieved 15 May 2015.
9. ^Kay, Jeremy (28 July 2015). 'Toronto to open with 'Demolition'; world premieres for 'Trumbo', 'The Program''. Screen Daily. Screen International. Retrieved 28 July 2015.
10. ^jpatlakas (13 May 2014). 'Giorgos Lanthimos' Lobster reveals first pictures'. Cinefreaks. Archived from the original on 17 May 2014. Retrieved 30 June 2014.
11. ^Ramachandran, Naman (31 March 2014). 'Yorgos Lanthimos commences The Lobster shoot'. Cineuropa. Retrieved 11 May 2014.
12. ^Barraclough, Leo (3 February 2014). 'Colin Farrell, Rachel Weisz to Star in Yorgos Lanthimos' 'The Lobster''. Variety. Penske Business Media. Retrieved 10 February 2014.
13. ^O'Sullivan, Majella (25 March 2014). 'Colin Farrell's arrival gets quiet village dreaming of its own 'Quiet Man''. Irish Independent. Independent News & Media. Retrieved 29 March 2014.
14. ^'Minister Deenihan visits set of 'Lobster' on final day of filming in Kerry'. Coillte. 2 May 2014. Archived from the original on 12 May 2014. Retrieved 11 May 2014.
15. ^Daily Mail Reporter (6 May 2014). 'What a happy set! Colin Farrell and Rachel Weisz share a laugh in between scenes as they film The Lobster in Dublin'. The Daily Mail. Associated Newspapers. Retrieved 11 May 2014.
16. ^Wiseman, Andreas (9 May 2014). 'Sony snaps up The Lobster starring Colin Farrell and Rachel Weisz'. Screen Daily. Screen International. Retrieved 11 May 2014.
17. ^Jagernauth, Kevin (9 May 2014). 'First Look: Colin Farrell, Ben Whishaw & John C. Reilly In Yorgos Lanthimos' 'The Lobster''. IndieWire. Penske Business Media. Archived from the original on 22 January 2016. Retrieved 30 June 2014.
18. ^Pedersen, Erik (20 May 2015). 'Alchemy Catches 'The Lobster:' – Cannes'. Deadline Hollywood. Penske Business Media. Retrieved 22 May 2015.
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21. ^McNary, Dave (16 March 2016). 'Colin Farrell-Rachel Weisz Comedy 'The Lobster' Set for May Release'. Variety. Penske Business Media. Retrieved 17 March 2016.
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23. ^'The Lobster Reviews'. Metacritic. CBS Interactive. Retrieved 18 April 2018.
24. ^Lyttelton, Oliver (15 May 2015). 'Cannes Review: Yorgos Lanthimos' Outstanding 'The Lobster' Starring Colin Farrell, Rachel Weisz & John C Reilly'. IndieWire. Penske Business Media. Archived from the original on 22 May 2015. Retrieved 18 April 2018.
25. ^Nashawaty, Chris (12 September 2015). 'The Lobster: Toronto Film Festival review'. Entertainment Weekly. Time. Retrieved 18 April 2018.
26. ^Lodge, Guy (15 May 2015). 'Cannes Film Review: 'The Lobster''. Variety. Penske Business Media. Retrieved 18 April 2018.
27. ^Bradshaw, Peter (15 May 2015). 'The Lobster review – dark satire on relationships gets fishy near the tail-end'. The Guardian. Guardian News and Media. Retrieved 18 April 2018.
28. ^Singer, Leigh (18 May 2015). 'The Lobster Review'. IGN. Ziff Davis. Retrieved 7 June 2016.
29. ^Dimock, Wai Chee (18 June 2016). 'Lobster in Purgatory'. Los Angeles Review of Books. Retrieved 18 April 2018.
30. ^Nordyke, Kimberly (24 January 2017). 'Oscars: 'La La Land' Ties Record With 14 Nominations'. The Hollywood Reporter. Prometheus Global Media. Retrieved 24 January 2017.^{[dead link]}
31. ^Variety Staff (24 January 2017). 'Oscar Nominations: Complete List'. Variety. Penske Business Media. Retrieved 24 January 2017.
32. ^Sheehan, Paul (3 January 2017). 'ACE Eddie Awards 2017: Full list of nominations includes Oscar frontrunner 'La La Land''. Gold Derby. Penske Business Media. Retrieved 3 January 2017.
33. ^Anderson, Erik (15 December 2016). 'Austin Film Critics Association (AFCA) Nominations: The Handmaiden Lands Top Mentions, Trevante Rhodes Double Nominated'. Awards Watch. Retrieved 15 December 2016.
34. ^Miller, Neil (15 December 2016). '2016 Austin Film Critics Awards Nominees'. Austin Film Critics Association. Retrieved 15 December 2016.^{[permanent dead link]}
35. ^Belga (10 January 2016). ''Le fils de Saul', Grand Prix de l'Union de la Critique de Cinéma' (in French). RTBF. Retrieved 10 January 2016.
36. ^'Baftas 2016: full list of nominations'. The Guardian. Guardian News and Media. 8 January 2016. Retrieved 18 April 2018.
37. ^'The Lobster on a roll with seven British independent film awards nominations'. The Guardian. Guardian News and Media. 3 November 2015. Retrieved 18 April 2018.
38. ^Pond, Steve (6 December 2015). ''Ex Machina,' 'Room' Win Big at British Independent Film Awards'. TheWrap. Retrieved 18 April 2018.
39. ^Barnes, Henry (24 May 2015). 'Cannes 2015: Jacques Audiard's Dheepan wins the Palme d'Or'. The Guardian. Guardian News and Media. Retrieved 24 May 2015.
40. ^Ford, Rebecca (24 May 2015). 'Cannes: 'Dheepan' Wins the Palme d'Or'. The Hollywood Reporter. Prometheus Global Media. Retrieved 24 May 2015.
41. ^'The 2016 Chicago Film Critics Association Award Nominees'. Chicago Film Critics Association. 11 December 2016. Archived from the original on 20 December 2016. Retrieved 12 December 2016.
42. ^'La La Land Leads with 12 Nominations for the 22nd Annual Critics' Choice Awards'. Critics' Choice Awards. Broadcast Film Critics Association. 1 December 2016. Archived from the original on 3 December 2016. Retrieved 1 December 2016.
43. ^Tangcay, Jazz (9 January 2017). 'Denver Film Critics Society Announce Nominations'. Awards Daily. Retrieved 11 January 2017.
44. ^Kilday, Gregg (12 January 2017). ''Moonlight' Leads Gay and Lesbian Entertainment Critics' Dorian Award Nominations'. The Hollywood Reporter. Prometheus Global Media. Retrieved 16 January 2017.
45. ^Ramsbottom, Max (22 December 2015). '2015 Dublin Film Critics Circle Awards Announced'. Entertainment.ie. Entertainment Media Networks. Retrieved 18 April 2018.
46. ^Brennan, Matt (27 October 2015). ''The Lobster,' 'Goodnight Mommy' Win European Film Awards'. IndieWire. Penske Business Media. Archived from the original on 30 October 2015. Retrieved 18 April 2018.
47. ^Lodge, Guy (7 November 2015). ''Youth,' 'The Lobster' Lead European Film Award Nominations'. Variety. Penske Business Media. Retrieved 18 April 2018.
48. ^Evening Standard British Film Awards (22 December 2015). 'Evening Standard British Film Awards: The longlist'. London Evening Standard. Retrieved 18 April 2018.
49. ^Norum, Ben (7 February 2016). 'Evening Standard British Film Awards 2016: Idris Elba and Dame Maggie Smith lead list of winners'. London Evening Standard. Retrieved 18 April 2018.
50. ^Engelen, Aurore (21 October 2015). 'Ixcanul wins the Film Fest Gent'. Cineuropa. Retrieved 18 April 2018.
51. ^FFCC (21 December 2016). ''Moonlight' leads 2016 Florida Film Critics Awards Nominations'. Florida Film Critics Circle. Retrieved 21 December 2016.
52. ^THR Staff (12 December 2016). 'Golden Globes 2017: The Complete List of Nominations'. The Hollywood Reporter. Prometheus Global Media. Retrieved 12 December 2016.
53. ^'Best Sci-Fi/Fantasy Movies 2016'. Rotten Tomatoes. Fandango Media. 12 January 2017. Retrieved 18 April 2018.
54. ^Greene, Steve (19 December 2016). '2016 IndieWire Critics Poll: Full List of Results'. IndieWire. Penske Business Media. Retrieved 27 December 2016.
55. ^'IFTA 2016 Nominees and Winners'. IFTA Awards. Irish Film & Television Academy. Retrieved 18 April 2018.
56. ^Lodge, Guy (15 December 2015). ''Carol,' '45 Years' and Tom Hardy Lead London Critics' Nominations'. Variety. Retrieved 18 April 2018.
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58. ^Kay, Jeremy (13 March 2016). ''Dheepan' and 'Paulina' triumph in Miami'. Screen Daily. Screen International. Retrieved 18 April 2018.
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64. ^Flores, Marshall (9 December 2016). 'San Francisco Film Critics Circle Nominations!'. Awards Daily. Retrieved 10 December 2016.
65. ^Nordyke, Kimberly (12 December 2016). ''Moonlight' Named Best Picture by San Francisco Film Critics Circle'. The Hollywood Reporter. Prometheus Global Media. Retrieved 12 December 2016.
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67. ^Gordon, Tim (5 December 2016). 'The 2016 WAFCA Awards'. Washington D.C. Area Film Critics Association. Retrieved 18 April 2018.

External links[edit]

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• The Lobster on IMDb
• The Lobster at AllMovie
• The Lobster at Box Office Mojo
• The Lobster at Rotten Tomatoes
• The Lobster at Metacritic